Monday, November 14, 2011

Log 9


Written by: Christine Anderson

Jess- next week I will have a few slides for us. We should have some stuff prepared and see who is doing what.
The idea is an authentic picture of the world, the news as an interface to decifer information and we want to see the students transform the news and thinking about bias and social context. Also, how materials can speak to the issue (i.e. replacing text). Also, replacing newspaper into the stand and what that means. So in abstract we are critically looking at media.
Michael: Are we going to talk about Duchamp? What is the one lady who did graphic work?
Christine: yes and Barbra Kruger
Jess: We will be in two groups- 3 to the presentation, 4 to the activity.
Ana: We need to include examples.
Jess: presentation is including of art history and the way we critically look at media.
Michael: Activity is explaining is how the presentation connects.
Ana: After the presentation, we will have the introduction to the activity and then split into seven groups where each of us will faciaite and give feedback and aid. In the end we will have the groups present artwork.
Michael: Do we want to do the exact same newspaper for the groups?
Consensus: lets mix it up (Red eye, Chicago Reader, Chicago Tribune)
Jess: What do we want them to come away with?
April: the distortion of media, to critically look at media
Christine: Lets talk about the presentation, who is doing it?
Ana: Gabe and April, and Jess
Christine: So Michael, Ana, Danny and myself will do the activity
Ana: So we will make one example of the news paper distortion.
Michael: Our group will connect and how to apply what the students just learned, we will show them an example and introduce the activity.
Christine: After we explain the activity we will each break off into a group.
Christine:  We need to think about supplies?
Ana: Scissors, stick glue, newspapers, pencils
Jess: After we finish the activity we will have a group critique
Christine: How long will we allow for the activity?
Michael: The power point is 10 minutes, 5 minutes to introduce the activity, 15 minutes for the project, 10 minute critique
Gabe: We should make a sheet explaining the activity.
Michael: The sheet should also should have some questions asking them what they are thinking about it?

Log 8


Log by Ana Sotomayor
How to incorporate diversity in the art setting?

Christine : if we have a short lecture on artists we can incorporate different diverse artisst with different backgrounds, so students aren’t only informed about art only coming from European men.
Mike: just follow the holidays
Christine: I think that idea is suitable for elementary kids its yet it will not produce metacognition and deeper critical thinking skills in high schoolers.
April: put people in different settings or genres for them to work with
Jess: more than likely we are going to be given an art program like art 1 so its better to give a material diversity.  Incorporate different materials instead of the typical paper mache
April: I agree my teacher did that, he incorporated graphic design, metal workshop,ect. It’s a good way to teach
Jess: cultural diversity is to research the culture and do some project based on it
Christine: If we become more aware of the reality of the ice berg we can incorporate the bottom half or the root of culture
April: propaganda
Gabe: aspect of their culture to incorporate into their project
Jess: most projects then will be diverse and different. Maybe teaching them about critiques and how to take it well without getting offended. Maybe we can teach just in the nature of it since everything is already going to be personal in art
Christine: what if they had to explore some other person’s life?
Gabe: maybe if it was gender diversity. If you place different races they might get offended
Christine: I think we could work with that; it will help students learn the value of different culture as well as learn tolerance.
Danny learning occurs through conflict.
Gabe: these are high school students..
April: you can also diversify art by taking away the senses, exchanging how they process their art, incorporate music
Danny: today we see sculpture and everything is so diverse. It’s the same class but everyone has different topics and interest that it’s very broad.
Mike: we should have the students follow the seasons
Christine: how about having the students select a topic from the news or something that is happening in the country.
Mike: I would just tell the kids to draw something from home and has regards to their culture. Then they can explain their subjective culture. Having them explain where it comes from?
Ana: maybe have them look into current controversies and make projects.
April: searching for problems within the school, what they would like to change it
Christine: what issues are underlined in the school?
Danny: I feel that when it comes to diversity some schools are over emphasized. In my hs it was mostly Hispanic. Most of the celebrations were Puerto rican but they never offered anything new. The students already know what to expect. If you are surrounded by the same culture then there is nothing to learn
Christine: it would be stimulating and interesting to have a classroom  exchange
Danny: Oprah did that, she took kids from low poverty schools and changed them with high economic schools. They were overwhelmed and it was very interesting.
Gabe: maybe in the art classroom you can create diversity by bringing a chinese cultural technique and integrate it in the classroom which makes them look at art in a different way
Jess: I like the events on local artists
Danny: you still need to have the fundings to take kids to places, I think I had a total of 2 fieldtrips in high schools
Gabe: there are a lot of policies in order to do this
Danny: the field museum is very cool there are a lot of different cultures stuff in there
Mike: it would be cool to have a wheel full of cultures and spin it and learn about the specific culture that came in and make a project of them. A culture wheel! You can select a different era in which students can choose and then have them learn
Danny: we didn’t mention food, it might not have to do with art but I wouldn’t mind having a day where the students bring in food. It could really work out, maybe during midterms, it gives them a moment to relax
Jess: integrating culture in a week by week system where they can learn new things

Thursday, November 10, 2011

Log 7: Group Project Discussion

log 7

Oct. 31

April Clark, Christine Anderson, Gabriel Dominguez, Danny Penna, Jess Rogawski, Ana Sotomayor, Michael Abeja

Topic for Final Project

-30 Minutes

-Lecture

-Activity

-Site specificity

-Critique

Materials:

-Scissors

-Newspaper

-Glue

Intuition

-Kevin Greenberg

-Blind Drawing, Perception

Activity (all contributed)

Jimmy and Jack

Jimmy

Newspapers, articles can incorporate all his interest.

Engage him with movement; engage different stations for different supplies.

Jack:

Hands-on.

Improve his reading and writing skills.

Newspaper- Visually appealing; Keeps the student engaged.

Bring in outdoor materials and newspapers of his interests to hold his attention; engaged.

Inquiry

What if the student cannot read, then that’s when we would step in an assist them?

Log 6: Final Project Premise Inquiry

log 6 April Clark

Oct. 24

April Clark, Christine Anderson

Premise Inquiry:

April: What topic do you think we can cover?

Christine: Well it’s a lot of things we can cover because we are art students.

April: Well I think we can cover art history section?

Christine: Color theory?

April: Perspective is probably a more reasonable lesson plan on a how to level.

Christine: What if we did talk about an artist, not just an artist but also their style. We could also go into exploring the styles artwork and exploring other artist that are similar to that. And in order to sustain their motivation by getting them actually engaged somehow, actively engaged.

April: What if we engaged them into an in depth conversation about what they think of the artist; what they would ask the artist themselves? I think we could do this by personalizing the lesson and learning experience.

Christine: What age?

April: High School Students

Christine: Juniors and senior, liberating. What if we talked about Beethoven and contrast with an artist with different stimuli?

Monday, October 17, 2011

LOG 5- Sex Education


OK guys, so since we didn't really have much time during class to write about this log, we are going to try something new this time. Written below is the log topic, read it, analyze it, and then on the bottom comment on it. Then the next person does the same thing and try to keep this somewhat conversational...This isn't facebook but maybe it might work and if so this might be an easier way to document our logs.
Sex education is common in almost all educational institutions throughout the U.S. However, recent years have been witness to controversy over the content (abstinence only vs. general theoretical knowledge) and impact of such programs (increase in teen pregnancy rates after decades of decline) in schools.
Problem: Do you believe that Sex Education in High Schools has an impact on adolescents? What content do you believe should be included in such a program? Draw on your understandings of students through the explicit principles of Behaviorism, Information Processing and Complex Cognitive Processes as well as on the implicit knowledge of your own personal experiences and beliefs in order to evaluate the issue and provide solutions.


Gabe: My issue with sex education in school is that it is obviously designed to scare students about sex and instill in their minds that sex is bad, at least in my experience with schooling and sex education.

Mike: yeah that true, Sex Education in school has been around for many years, which began as a general theoretical knowledge class that was to make kids abstinence, has been forced to pick a side. sex education should be taught in high schools because it will have a positive impact on adolescents.
Gabe: Parents should accept the fact that their children are going to grow up, and that sex is just another aspect of life they need to accept. If the subject were treated maturely, then the outcome would be a positive response. The age of the adolescent is a huge factor and should be considered when teaching about sex education.
Ana: I agree to this because since sex is considered a taboo this will increase the curiosity in students to go out and do it. I believe that teachers should teach students abstinence but also how to avoid catching STDs and different birth control techniques

Gabe: I do believe adolescents need to be aware of the harmful dangers of sexually transmitted diseases, but I disagree that this should be the primary focus when presenting a student who has no knowledge of what sex actually is.

Log 4

Written By: Gabriel Dominguez
Do you believe that drills, practices and rote memorizations have a place in your future classrooms? If yes, then in what circumstances would you use these strategies? Please authenticate your answers based on learning strategies we discussed in class.
Danny: I don’t agree with drills, when I see drills, it is more like a surprise exam; I guess it depends on the weight of the drill. It may be pretty stressful, it may encourage or paranoid.
Ana: I agree with practices, not drills. In order to develop skills like in Art. Repetition helps
Christy: In terms of drills and practices, what are drills, in terms of discussing work with others, such as mega cognitive thinking. Working on other peoples work to develop your own. That retrospect will help the student develop his or her own work
Danny: When I was saying drills, Drills and practices are different; practice is very essential, especially in art. And drills more like being caught off guard/being forced to do something, when you are not primed for it
Mike: The way i see drills are as a method of learning in which you constantly repeat the information to the students, while in practices is when you try to accomplish what your doing, you have a certain method and you constantly reuse it. drills are use to learn and practice is to test you knowledge.
Christy: Practices is connecting your prior knowledge with new knowledge. But we also have to include all types of memory (sensory etc)
I agree with Danny but when they undergo drills it strengthens their memory
Gabe:
Danny: In terms of art, how to draw different objects, training your mind to develop an understanding of form, space.
April: Rote Memorization, in classroom procedures. Setting up a camera, preparing paint.
Christy: Drills, practices all have place
Danny/Ana: Art history would be the only applicable location where we can apply these strategies.
Mike: As students use repetition in their practices they are developing skills in the fine arts, for example when they are practicing drawing different objects, they are training their mind to develop an understanding of form and space. Rote Memorization is used in classroom to remember procedures such as setting up a camera, preparing paint. Once the students are used to the guidelines, this allows them to explore these new skills, but without drilled foundation they will not know were to start.
Christy: Just like an author becomes a better author to develop their writing, critiquing art work allows you to become a better artist. Art classrooms allow the art teachers to bring something out of the students
Danny: In other classrooms the students are taking information in, and in the art classroom, we are releasing more, more interactive.
Ana: there is so many strategies to how we can make art that the basic would be a good start.
Christy: combing prior knowledge of how this----
Danny: I remember at UIC students were trying to be very technical. I recall I did blind drawing drew objects from memory, to understanding form
Christy: Drawing with two hands helps a student develop the technicality on how to draw, how to use your hand
Mike : Negative allow student to see what they are not drawing in order to understand why an object look like in its out line form. then they will practice to see how shading and value play curtail role in drawing and that developing the form.
- Expecting students to learn something specific
April: I hated perspective drawing; I think drills would help us enable students to learn how to understand perspective.
Gabe: I think for the most part that’s all were going to be doing-DRILLS
Danny: In a sense, yes, but only for the beginning. Once they are used to the guidelines, allow them to explore, but without foundation they wont know were to start.
Foundation courses.
Ana: Art is more of a cognitive setting. Everyone has a different style for art. At first everyone may think the classroom is easy. And At first everyone goes straight o error.
Mike: Student has the privilege to take a the knowledge they gain from the class and show their understanding buy using the different style. These style are their own, in which they depict what they have learn in lecture.
Christy: I high school we can challenge schema of what a class is going to be; Example: Jewelry class
Ana: In Diana’s class, at first we did something wit a stick, and after the concept came. So we were forced to have a conceptual approach after the hands on.
Danny: It depends in the environment, because if the environment does not have a lot of resources then maybe we are limited to art, so instead of cognitive, it may be behaviorism.

Monday, September 26, 2011

Log 3


Log 3

Jesse: Non-supportive parents can be stimuli in effect to a child’s learning. Different households can effect

Christine: How we could capitalize this though?

Danny: We can help and support; we can change due to household environment, void in guidance…

Christine: We can send students to a guidance counselor.


Gabe: Us as teachers can contribute just as much as a guidance counselor, but I do believe that there are certain things that are just out of our reach. 

Ana: I agree with Gabe in that maybe it is out of our reach. if the parents don't want us to help there is nothing we can do about it. It is our job to make sure the students learn but I feel like the parents might get offended or mad that we are telling them that their parenting skills are wrong and are affecting their child in school...

Jesse: Do you think it’s our place to incorporate the parents in finding out what is going on with the child? I.e.: Divorce effecting student’s performance.

Gabe: I do not believe I have any control over this stimulus of how a parent acts with their child because it occurs outside of the classroom. How can we ensure a child’s protection, or what kind of negative information they are being supplied with. 
Ana: That may be a good step however it may be a negative because you never know how parents may react.  

Jesse: Age also has an effect on it as well. In grammar school, as a teacher you may feel as though it’s a duty.

Gabe: Hey are we getting a bit off of subject? I feel that a stimulus would be for instance, if you raise your voice in class and the student reacts emotionally to the tone of your voice.  Maybe the Parents at home verbally abuse their child, and you being the adult in the classroom reflects the authoritative figure, this can affect the student in a negative manner. Outside the classroom there is an entirely different atmosphere of influences, and students tend to carry those influences from outside to inside.    

Jesse: Another environmental stimuli are using the restroom and the rules of it.  How it may effect the learning environment.  Then is come to the fact of whether it should be a question or factor to have leniency to go to the rest room it barriers. (I.e. pass or sign-out or responsibility left to the student)

Ana:  Age level is a huge factor, younger kids might not be able to wait a whole class period to use the bathroom, while older students might. 

Christine:  How about the students who do not care, are out of control, and aredisrupting the classroom. What do you?

Ana: You can also add projects..or make them do something else that interests them. For example, if the student is slacking and doesn't want to work on the project we are giving them, then we might be able to ask them what is it they want to do or what they feel would be an interesting project. That way we can incorporate it into the project and have them be involved.

Christine: We might give incentives: For example giving them choices.

Danny: Give the students choices, then it become their responsibility, And make it known they only have two options.

Jesse: I would not push or kick a kid out of my class but give an opportunity.

Christine: True.

Ana: You can alter their opinions by asking them their interest and what they find interesting and are willing to work on.

Michael: Well that can arise an issue where they can say that they are special and then the other students might start acting up in order to do what they want.

Danny: this is true. They are going to realize that one of the students are getting special treatment for being bad and they are going to think it’s not fair.

Christine: How about mixing it up a bit?

Ana: Give them guidelines.

Michael: Different paths but an income where they all come together and it’s not a big difference from all the other students.


Gabe: Different guidelines work, but are they necessary to supply each student different criteria’s, sort of catering to individuals.  Maybe working in different groups with the same one criteria.  



Log 2


ED210- Art Group
9/12/11

Racial And Ethnic Identity Discussion Log
Recorded and Paraphrased by Jess Rogawski

Gabe: I don’t think cultural cliques form, it’s more of a comfort thing—a common understanding between students of same backgrounds and lifestyles.

Mike : Well that is what a cliques is a forming of groups of common understandings. These people feel that belong together because share the same values, beliefs and behaviors based on there race and ethnicity. 
Ana: It’s like looking  to the behaviors of students in a multi-racial environment- students, they  either fit in or stand out too much. Younger kids don’t like difference so they make it harder for the others to fit in.

Mike : I would have to agree when I was in preschool I was in a very divers class room  were there Latino, whites, black, Asians and Native American, I found that out latter in life, but we never saw each other a different, but the same, just boy and girls. It not till you get older to see that older people categorize different people and you struggle to find out were you lye in. 

April: You feel identity more when there are multiple in the classroom. Conceptions of “acting white” influence students negatively. “Culture gets secluded when I’m in other environments outside of my culture.”

Mike : I understand about the "acting white" comment.  There is a well know song in the little village that speaks about a person that is Mexican-American, as he struggles to find out who he is. As I grow up in little village I was seen as a Mexican, but when I went to Mexico I was seen as American. As a child I felt I was from nether here or there. People keep telling me you not Mexican enough or white enough. 

Christine: Look to history for identity—after realizing aftermath of US history during the Civil Way in particular.
Gabe: Common cultures tend to bond people together, it is not nessccearly a bad thing, some people believe it is segregating cultures, but I believe that it is just natural to appeal to individuals who share similar backgrounds. When people are placed a diverse crowd, they tend to find similarities with others, some similarities are more apparent, thus resulting in people with similar cultures and physical features is just expected.    
Christine: In high school, cultural mixing was enforced during lunchtime and it was not successful.
Danny: When you throw a bunch of kids together, like on the first day of school, you can’t expect them to clique right away. Everyone’s comfort zone is different.

Mike: By the time you hit high school you are hit with so many stereotype about different people and groups that you start to and student don’t feel that they need to find out about other cultures because they feel they know enough or are scared.    

Ana: Little kids are blind to race for the most part- definitely more accepting and oblivious to “perceived” difference. Something happens to kids between early youth and school age that changes them to clique up—to find comfort in sameness.
Gabe: I can agree with Ana about this “blindness” kids have at a young age, for instance, I didn’t know I was “Mexican” until someone asked me in the second grade.  I went to a grammar school that was a mixture of Caucasian, Asian, African-American, and Latino.  This is how it was all throughout grammar school.  In second grade, I recall a girl in class asked me if I was Mexican, I honestly did not know what to say, I think my response was “I think so.” When I went home that day, I asked my Mother, and she said I was Mexican-American. I was still confused but I understood that this was the “group” of people I was placed in because of my physical differences from other students in class.    
Christine: It’s in your upbringing whether you want to embrace your culture or not—if there’s pride. Some students don’t have that.
Gabe: Do not get me wrong, it is apparent to children that we all have physical differences, but that doesn’t construct the way a child views their peers in the classroom.  People throw us in already existing categories. This is a cognitive construct.  Kids don’t see difference as a negative thing until they are told.  Being thrown into categories, do not help shape your identity, but it alters your identity by affecting what you believe you are, and what your supposed to be, for example there are many racial negative stereotypes that come with every ethnicity and cultures of those ethnicities.  Identity is socially dependant and constructed from their environmental influences.  This falls under self-concept, identifying where you belong, and who exactly you are. 
Mike: there have been kid that I worked with that have interracial parent, but  because of one thing or anther the denied not race entirely and say that they are not mix.
Christine: Issues of socialization are important-- society, family, peers.  A well-balanced racial and ethnic identity is crucial for students.

Mike: That true if a person is conflicted with what their racial and ethnic identity it make it even hard for teens to considerate on the simplest thing. They are always going to be questioning who are they, why they are they the why they are, and what do I need to do so I can fit into this category.     

Wednesday, August 31, 2011

Log 1


Log 1: 8/29/11
Should teachers give multiple choice exams to be done in a group?
 Christine: I don’t think they should. If it was an open ended exam then yes this would be fine because then they can all discuss it and come up with different answers. But if it’s a multiple choice exam then everyone can just copy one kid and not learn the material.
Danny: I agree, because if one kid knows the answer then they are all just going to copy.
April: Yeah I don’t agree because students learn at a different level and it’s unfair for other kids who don’t know the material.
Christine: Exactly because they are not developing any skills. They are just being fed the information and not cognitively thinking, which then leads to them not learning anything.
Danny: Maybe if it was an open book exam instead of a multiple choice exam then it would be ok-
Gabe: It would be better because multiple choice exams are too direct and there’s no interaction to learn from each other. It is just one correct answer and no room for discussion.
Mike: It gives the students an opportunity to give their opinion and be heard. I feel like this is when it is ok to give group exams.
Gabe: Right because they can give different answers-
Danny: and different scenarios.
Ana: I agree to this because in multiple choice exams only the smart kids understand it while the others don’t. The teacher then doesn’t know who’s struggling with the material and who is not.
Christine: This is true, especially because children at this age don’t care about learning the material they just care about getting a good grade.
Danny: If the school system wasn’t based on grades then this would be the perfect way to give exams because then they will all work together to see why it is the right answer and not just worry about the grades.
Christine: Right because collaboration is important and sometimes in these groups they all don’t talk. They just want to know what the answer is.
Mike: It states on the book that children from the ages of 7-11 can’t think abstractly, so maybe instead of giving multiple-choice question that contain abstract answers that are all the same, but in different wording. This will be difficult for them but will start discussion in the group. That way they all have to work together and come up with different answers and reasons as to why this is so.
Christine: Yeah that’s a good idea. They can even be given a pretest because then they are all helping each other understand the material in order to do good in the exam. Plus they also don’t have to worry about the grade factor so it might relax them more and they are able to think better.
Danny and Gabe: (both agreed) that since the situation given is in a group the teacher wont know who’s right or wrong. The teacher only sees the one copy of the exam where more than likely the answers are correct and then assumes that all the students understand the material and moves on to the next lesson.
Mike: Well who knows? Maybe it works, sometimes it allows the shy kid to speak up in situations like these so that he learns how to give his own opinions and share his ideas and knowledge of the material.
Ana: Not really, in some psychological articles it has been proven that when put in a group; people tend to give in to the popular vote. It doesn’t matter if they believe they are right or wrong, they start feeling unsure about their answers and don’t want to speak against everyone. This should be especially true if the kid is usually shy.
Christine: The kid might not want to speak up in cases like these, making them too vulnerable. Another factor the teacher should look into is the environment the students are raised in. Not all these students are raised in the same home environment therefore they learn differently and sometimes don’t grasp the information the same pace the others do.
April: Some students I’ve been teaching don’t work well with others. When put in that predicament sometimes they might open up but other times they won’t. This is something we as teachers are going to have to take into consideration when coming up with group exams. And they don’t always cooperate with each other.
Danny: Some kids take charge and don’t accept an opinion. They are not open to discussing because they don’t want to be wrong. This makes the situation complicated because the timid kid is not going to engage while the other one wont cooperate.
Christine: It is important at a high school level to engage because this is a time they don’t feel self-worth. They can build confidence working in groups but at the same time it can affect it negatively.
Danny: As a teacher it is good to see how they behave in groups. But this doesn’t mean they (teachers) should do this as an exam. This is good to do prior to an exam, that way they can feed off each other.
Christine: It’s our job to make that atmosphere where the students feel comfortable with each other and are learning adequately to their level. This can be hard because they’re so many of them.
Danny: It goes beyond that because there are children issues that have to be taken into consideration. Sometimes they have a lot of drama going on at home or even with the students at the same school. Without knowing you can set up two people that “hate” each other and then it goes down hill from there. This is the tough part.
Gabe: This is the part where we must let them guide themselves. If you just throw them down they will be lost. We have to observe and find out who the leaders are and who are timid, that way we can just group one leader with four timid people so that they’ll work together.
Christine: I have been in that situation and even in college it doesn’t work. Only one person does the talking while the other just sit there and listen.
Danny: It’s different in college though, because you chose to come to here, in high school you don’t really have a choice.
Mike: Ok guys, so how about we move on to the second question, there is more than one you know. Are there specific times when this kind of collaboration could be productive? This can be productive in the middle or the end of the class you should break up the class into groups and have them answer questions together, so they can learn from one another by explaining the reason they each chose their answer. Afterwards, the class should come together and discuss their answers for the multiple choice question and how they came about that. This way they all engage with one another and learn. But it is important to mention that this is not an exam, just a group discussion.
Danny: Right something that doesn’t have a lot at stake.
April: Something like a test prep, that way they can work together and not have to worry about it affecting their grades, which then leads to them communicating more and worrying less about choosing the correct answers.
Christine: Right because they won’t be as nervous.
(Here we realize we were answering the wrong questions and now we are discussing the right ones…)
Christine: I think Vygotsky’s ZPD zone is important because as a teacher we need to be aware of where the students stand so that we can stimulate them to want to learn more.
Danny: This is really hard. As a future teacher my fear is that after being in front of a class for like 15 minutes discussing a lesson, and I ask if they understand it, they just give me blank stares and no one got it.
Mike: This is why I want to make my class mostly about discussion. As an art teacher you don’t really have to worry too much about materials that are going to be covered in state exams or certain lesson you have to make sure to teach them.
Danny: Yeah our class is where they come to relax and enjoy their time.
Gabe: This is true to a certain extent. We still have papers.
Ana: It depends what kind of art you are teaching. A lot of my high school art teachers didn’t give out many papers. Most of the focus was on the actual art work. Even the papers weren’t hard; they were mainly focused on certain artist’s life.
Gabe: I guess it can be different; it’s your own class so it’s your choice as a teacher.
Mike: In order to make mines interesting I want to ask them what they want to learn. That way I can still teach them what I want but also take their ideas into consideration and make them want to come to class.
Gabe: Scaffolding! Meaning teaching through support. You can’t just throw knowledge at them. You have to guide them. It is very important to see where they stand and push them where they need to be pushed.
Christine: Right because high school students are egocentric and think abstractly this is great for art. We can create a great atmosphere with this.
Danny: This is still tough because at this age they might not like critiques. They might feel like they are being critiqued themselves instead of viewing it as constructive criticism.
April: This is where we as teachers have to set a standard. Many of the students don’t know how to give critiques. We have to show them what is appropriate to critique and what wrong things to say are. And to show them that they shouldn’t feel offended but instead take it to improve their artwork.
Mike: This is where we bring in language to our classes.
Christine: Even in college people just don’t speak in critiques. I had a teacher who would make us all say words that described the piece, like confusing, and then explain why. Maybe this can be useful for high school students.
(End of Class)